Over her 30-year career, Whiteread has cast the interiors of objects ranging from buildings to hot water bottles in plaster, resin, rubber, concrete and metal. This mid-career survey includes unseen sculptures, sketches, and documentation of her monumental House (1993/94), controversially destroyed only months after it was installed in East London.

 

Rachel Whiteread, Tate Britain 12 September – 4 February