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The art diary of an undercover reporter, from La Borne to New York

 

Tommy Hilfinger’s auction sale, contemporary ceramics in the Berry, Hans Ulrich Obrist... Nicolas Trembley unveils his art diary.

Photo : Jessica Craig-Martin

 

Each year, the magazine Art Review publishes a top 100 of the most influential people in the art world, and each year everyone wonders how the selection is made. The list includes powerful gallerists, directors of art institutions, collectors and a few artists. At number one is the Swiss curator Hans Ulrich Obrist, for the second time (since he was already given the top spot in 2009). In 2002, when the top 100 was first launched, he was at number 75. This year’s number 100 is the artist Ragnar Kjartansson, who’s new to the list. The top woman is in seventh place, although some appear as part of a duo, like the gallerists Iwan and Manuela Wirth at number three, or Nicholas Serota and Frances Morris at number five (respectively the former director of the Tate and the future director of Tate Modern). The lady at number seven is an artist and theoretician: Hito Steyerl. Hats off to her, for she’s not that well known and has come in ahead of artists as illustrious as Richter and Koons.

 

At La Borne, in the Berry, no one gives two hoots about the Art Review list because no one knows anything about it. Founded in the 60s by hippies, the Association Céramique de La Borne (located near to Bourges because of a seam of clay that’s been exploited since the 19th century) has evolved in line with the increasing interest in ceramics. The village now boasts a brand-new centre of contemporary ceramics, which this autumn is hosting an exhibition curated by the artist Natsuko Uchino in a duo with Sophie Auger-Grappin. Entitled J’ai rêvé le goût de la brique pilée (“I dreamed the taste of crushed brick”), the show is the fruit of this favourable wind for ceramics in contemporary art, since it mixes work by artists like Richard Serra or Ana Mendieta with pieces by “potters” such as Brigitte Penicaud or Anne Kjærsgaard. Inaugurated during the week of the grands feux (the moment when all the ceramicists fire their work in giant communal kilns), the event shook up a traditional ecosystem that had become a bit set in its ways, but which now welcomes well-known dealers (whose names we won’t quote) and even fashion people (perhaps due to the sell-out lecture given by Johan Creten). At night, everyone watches over the kilns and drinks, living together for ten days in a very agreeable limbo.

 

The Marbriers 4 space in Geneva is poised to become one of the essential places for taking the pulse of a new generation. The tiny gallery is collectively run by former students of HEAD – the Haute école d’art et de design, which has been consistently climbing in the league of Europe’s most prominent schools. The shows feature artists such as Amalia Ulman, Marie Karlberg or Bonny Poon, who decided to remove permanently the gallery’s front door. Good news for Paris, Marbriers 4 is soon going to open a space in the French capital. Another nice surprise is that one of the cult pictures of the 20th century, a Johns Flag by Sturtevant, is being offered for E3.5 million at Sotheby’s after having been bought for just E40,000 in 2000. It’s a shame that Sturtevant, who never commanded such sums while alive, is no longer here to see it.

Richard Serra, between heaven and earth
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Richard Serra, between heaven and earth

Art In the vast sweltering deserts of Qatar, the now octogenarian American artist has celebrated man’s frailty in the face of nature’s immensity with his monumental steel sculpture East-West/West-East. In the vast sweltering deserts of Qatar, the now octogenarian American artist has celebrated man’s frailty in the face of nature’s immensity with his monumental steel sculpture East-West/West-East.

Has Arca anticipated the music of tomorrow?
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Has Arca anticipated the music of tomorrow?

Music At a time when technical innovations are terrifying the world, Venezuelan producer Arca anticipates the music of tomorrow with “@@@@@”, an infernal and anxious electronic symphony. Lasting 62 minutes, the collaborator of Björk and Kanye West, has reconsidered concrete music as she unveils a project that sounds like a pirate broadcast with a message that is as dense as it is hermetic. At a time when technical innovations are terrifying the world, Venezuelan producer Arca anticipates the music of tomorrow with “@@@@@”, an infernal and anxious electronic symphony. Lasting 62 minutes, the collaborator of Björk and Kanye West, has reconsidered concrete music as she unveils a project that sounds like a pirate broadcast with a message that is as dense as it is hermetic.

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Frank Gehry frees forms for Louis Vuitton
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Frank Gehry frees forms for Louis Vuitton

Architecture Now in his tenth decade, Frank Gehry has just completed Louis Vuitton’s new flagship store in Seoul, on the prestigious Cheongdam-dong avenue in the Gangnam neighbourhood. Numéro spoke to the legendary architect about his latest creation – a diaphanous wave of glass floating above a cube of stone – which opens with a display of work by Alberto Giacometti. Now in his tenth decade, Frank Gehry has just completed Louis Vuitton’s new flagship store in Seoul, on the prestigious Cheongdam-dong avenue in the Gangnam neighbourhood. Numéro spoke to the legendary architect about his latest creation – a diaphanous wave of glass floating above a cube of stone – which opens with a display of work by Alberto Giacometti.

Virgil Abloh is showing a design collection
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Virgil Abloh is showing a design collection

Art For the first time in Paris, the American polymath, currently in charge of Louis Vuitton menswear, is showing an eclectic collection of boundary-breaking design objects. For the first time in Paris, the American polymath, currently in charge of Louis Vuitton menswear, is showing an eclectic collection of boundary-breaking design objects.

Louvre masterpieces highjacked by Daniel Arsham
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Louvre masterpieces highjacked by Daniel Arsham

Art At the Perrotin Gallery, the American artist and social network star is presenting some twenty copies of antique masterpieces recoloured and eroded using a crystallisation technique. A journey through time that challenges the frozen vision of art history, in a similar way to Damien Hirst, Francesco Vezzoli and Ali Cherri.  At the Perrotin Gallery, the American artist and social network star is presenting some twenty copies of antique masterpieces recoloured and eroded using a crystallisation technique. A journey through time that challenges the frozen vision of art history, in a similar way to Damien Hirst, Francesco Vezzoli and Ali Cherri. 

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The contents of Numéro's February 2020 “Freedom” issue

Fashion Discover the contents of Numéro's February 2020 “Freedom” issue with Gisele Bündchen, Lous and the Yakuza, Lean Chihiro, Frank Gehry… Discover the contents of Numéro's February 2020 “Freedom” issue with Gisele Bündchen, Lous and the Yakuza, Lean Chihiro, Frank Gehry…



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