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The art diary of an undercover reporter, from La Borne to New York

 

Tommy Hilfinger’s auction sale, contemporary ceramics in the Berry, Hans Ulrich Obrist... Nicolas Trembley unveils his art diary.

Photo : Jessica Craig-Martin

 

Each year, the magazine Art Review publishes a top 100 of the most influential people in the art world, and each year everyone wonders how the selection is made. The list includes powerful gallerists, directors of art institutions, collectors and a few artists. At number one is the Swiss curator Hans Ulrich Obrist, for the second time (since he was already given the top spot in 2009). In 2002, when the top 100 was first launched, he was at number 75. This year’s number 100 is the artist Ragnar Kjartansson, who’s new to the list. The top woman is in seventh place, although some appear as part of a duo, like the gallerists Iwan and Manuela Wirth at number three, or Nicholas Serota and Frances Morris at number five (respectively the former director of the Tate and the future director of Tate Modern). The lady at number seven is an artist and theoretician: Hito Steyerl. Hats off to her, for she’s not that well known and has come in ahead of artists as illustrious as Richter and Koons.

 

At La Borne, in the Berry, no one gives two hoots about the Art Review list because no one knows anything about it. Founded in the 60s by hippies, the Association Céramique de La Borne (located near to Bourges because of a seam of clay that’s been exploited since the 19th century) has evolved in line with the increasing interest in ceramics. The village now boasts a brand-new centre of contemporary ceramics, which this autumn is hosting an exhibition curated by the artist Natsuko Uchino in a duo with Sophie Auger-Grappin. Entitled J’ai rêvé le goût de la brique pilée (“I dreamed the taste of crushed brick”), the show is the fruit of this favourable wind for ceramics in contemporary art, since it mixes work by artists like Richard Serra or Ana Mendieta with pieces by “potters” such as Brigitte Penicaud or Anne Kjærsgaard. Inaugurated during the week of the grands feux (the moment when all the ceramicists fire their work in giant communal kilns), the event shook up a traditional ecosystem that had become a bit set in its ways, but which now welcomes well-known dealers (whose names we won’t quote) and even fashion people (perhaps due to the sell-out lecture given by Johan Creten). At night, everyone watches over the kilns and drinks, living together for ten days in a very agreeable limbo.

 

The Marbriers 4 space in Geneva is poised to become one of the essential places for taking the pulse of a new generation. The tiny gallery is collectively run by former students of HEAD – the Haute école d’art et de design, which has been consistently climbing in the league of Europe’s most prominent schools. The shows feature artists such as Amalia Ulman, Marie Karlberg or Bonny Poon, who decided to remove permanently the gallery’s front door. Good news for Paris, Marbriers 4 is soon going to open a space in the French capital. Another nice surprise is that one of the cult pictures of the 20th century, a Johns Flag by Sturtevant, is being offered for E3.5 million at Sotheby’s after having been bought for just E40,000 in 2000. It’s a shame that Sturtevant, who never commanded such sums while alive, is no longer here to see it.

Revolution at Britain’s biggest art prize
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Revolution at Britain’s biggest art prize

Art With an unexpected twist in the contemporary art world, this year’s Turner Prize - Britain’s most prestigious art prize since its creation 35 years ago - went to all four nominees. An unprecedented decision in response to an explicit request made by the artists themselves. With an unexpected twist in the contemporary art world, this year’s Turner Prize - Britain’s most prestigious art prize since its creation 35 years ago - went to all four nominees. An unprecedented decision in response to an explicit request made by the artists themselves.

The Bourse de Commerce: a guided tour of the new Pinault Collection
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The Bourse de Commerce: a guided tour of the new Pinault Collection

Architecture Numéro art took a preview visit to François Pinault’s new Parisian museum, which will officially open its doors in June 2020 in the Les Halles neighbourhood. This spectacular feat aligns the magnificent renovation of an impressive heritage building with a radical realisation by the architect Tadao Ando. Numéro art took a preview visit to François Pinault’s new Parisian museum, which will officially open its doors in June 2020 in the Les Halles neighbourhood. This spectacular feat aligns the magnificent renovation of an impressive heritage building with a radical realisation by the architect Tadao Ando.

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What future for contemporary art? Pace Gallery's president answers
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What future for contemporary art? Pace Gallery's president answers

Art New York's Pace Gallery, which next year will celebrate its 60th birthday, has just opened a brand-new Chelsea space. Numéro Art spoke to Pace's president, Marc Glimcher, about this vast new bulding, as well as his predictions for the future of the art business in our age of Instragram and mega-museums.  New York's Pace Gallery, which next year will celebrate its 60th birthday, has just opened a brand-new Chelsea space. Numéro Art spoke to Pace's president, Marc Glimcher, about this vast new bulding, as well as his predictions for the future of the art business in our age of Instragram and mega-museums. 

Giuseppe Penone's forest
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Giuseppe Penone's forest

Art Since his début in the 1960's, the italian artists has marked the history of art with work that makes us rethink the link between man and nature. On the occasion of his piece “Matrice di linfa” being shown at Paris's Palais d'Iéna (by Galerie Marian Goodman for FIAC), Numéro Art visited his sylvan estate near Turin. Since his début in the 1960's, the italian artists has marked the history of art with work that makes us rethink the link between man and nature. On the occasion of his piece “Matrice di linfa” being shown at Paris's Palais d'Iéna (by Galerie Marian Goodman for FIAC), Numéro Art visited his sylvan estate near Turin.

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Bill Skarsgård pays tribute to Francis Bacon in an exclusive video

Art Exclusively for Numero art, the actor Bill Skarsgård, who played the child-killer clown Pennywise in the “It” films, poses in digitally revisited versions of some of the Francis Bacon paintings currently on display at the Centre Pompidou, which is showing a major retrospective of the late artist’s works realized between 1971 and 1992. Exclusively for Numero art, the actor Bill Skarsgård, who played the child-killer clown Pennywise in the “It” films, poses in digitally revisited versions of some of the Francis Bacon paintings currently on display at the Centre Pompidou, which is showing a major retrospective of the late artist’s works realized between 1971 and 1992.

Bill Skarsgård pays tribute to Francis Bacon in an exclusive story for Numéro art
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Bill Skarsgård pays tribute to Francis Bacon in an exclusive story for Numéro art

Art Exclusively for Numero art, the actor Bill Skarsgård, who played the child-killer clown Pennywise in the “It” films, poses in digitally revisited versions of some of the Francis Bacon paintings currently on display at the Centre Pompidou, which is showing a major retrospective of the late artist’s works realized between 1971 and 1992. Exclusively for Numero art, the actor Bill Skarsgård, who played the child-killer clown Pennywise in the “It” films, poses in digitally revisited versions of some of the Francis Bacon paintings currently on display at the Centre Pompidou, which is showing a major retrospective of the late artist’s works realized between 1971 and 1992.



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