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The “Sans Titre III” Album : Julie Boukobza’s selection

 

Each month Julie Boukobza, exhibition curator shares with Numero.com a selection of artists and galleries who she believes will be tomorrow’s stars. This is her 3rd selection and it features some of the hottest curators around.

Louise Sartor, Love (2016), watercolor on toilet roll, 15 x 9,5 cm.

Courtesy Crèvecœur. Photo : Aurélien Mole.

 

 

Louise Sartor (Crèvecœur gallery in Paris)

 

Nominated for the 2016 Ricard Foundation Prize, and represented by the Crèvecœur Gallery at the Paris Internationale fair in October, Louise Sartor (born in 1988) has garnered a great deal of attention recently with her small scale paintings on scraps of paper casually pinned to walls. Hers are stolen images of women on the move, often framed in such a way that we never actually get to see the whole body. It’s a paradoxical manner of working, both sensitive and odd, the fragility of the (small sized) material and delicacy of the colours contrast with the violence of the torn paper… The Crèvecœur Gallery will hosting a solo show of this Beaux-arts and Arts décoratifs  graduate in 2017. 

 

www.galeriecrevecoeur.com

 

 

 

 

 

 

 

 

 

 

 

Jacqueline de Jong (Chateau Shatto in Los Angeles)

 

This Dutch painter born in 1939 in Amsterdam into a family of art collectors was a fully-fledged member of the International Situationist movement at the tender age of 20. What followed was a prolific career as a painter whose works, always provocative, were shown again recently at the Paris Internationale fair. She is represented by Chateau Shatto in Los Angeles where she showed her series Pommes de Jong, gold jewellery made from dried potatoes !

 

chateaushatto.com

Louise Sartor, Pray (2016), watercolour on toilet roll, 15 x 9,5 cm.

Courtesy Crèvecœur. Photo : Aurélien Mole.

Jacqueline de Jong on the Chateau Shatto stand in October 2016 during Paris Internationale.

Photo by Renato Ghiazza. Courtesy Chateau Shatto.

 

 

Jacqueline de Jong, Pommes de Jong (2008-2011), dried potatoes, gold and box, variable dimensions, unique piece.

Courtesy Chateau Shatto.

 

 

 

 

 

 

 

 

 

 

 

 

 

Tatjana Danneberg (LambdaLambdaLambda gallery in Pristina - Kosovo)

 

This young Austrian artist (she was born in 1991 in Vienna) showed a fascinating oeuvre of paintings and sculptures at the Paris Internationale. Tatjana Danneberg’s tableaux are in reality composed of two layers: one is linked to the painter’s gesture, the other to photography. The artist starts by painting on vinyl and then uses a solvent to remove some of the painting. Then she sticks this on the canvas. She also prints photographs onto vinyl and uses the same solvent to remove part of the ink. This too gets glued onto canvas. For her sculptures Tatjana uses the stucco technique, a very old way of imitating marble.

 

www.lambdalambdalambda.org

 

Jacqueline de Jong, Pommes de Jong (2008-2011), detail.

Courtesy Chateau Shatto.

Tatjana Danneberg, Wake up (2016), watercolor, ink, inkjet printing, Gesso and glue on canvas, 120 x 90 cm.

Courtesy LambdaLambdaLambda.

 

 

 

Tatjana Danneberg, I Can’t Turn Around (2015), inkjet printing, watercolor, glue on silk and metal bar, ar. 300 x 200 cm.

View from the exhibition, Ratatouille, at Shanaynay, Paris, 2015.

Collective exhibition from Tatjana Danneberg, Anna Fehr, Simon Lässig, Vera Lutz,
Philipp Reitsam, Halvor Rønning curated by Felix Gaudlitz.

 

 

 

View from Tatjana Danneberg exhibition, LambdaLambdaLambda at Paris Internationale 2016.

Courtesy of Paris Internationale and LambdaLambdaLambda, photo : Aurélien Mole.

 

 

 

 

 

 

 

 

 

 

 

 

Hannah Black (Arcadia Missa gallery in Londres)

 

Also spotted at the Paris Internationale, British artist Hannah Black, now living in Berlin, was showing installations and video work about the human body, intimacy, identity and power, with impressive poetic force. She is also a contributor to the magazine The New Inquiry.

 

www.arcadiamissa.com

 

 

Hannah Black, vidéos HD (2016), view from Arcadia Missa gallery exhibition at Paris Internationale 2016.

All images courtesy Arcadia Missa 2016.

 

 

Hannah Black & Ebba Fransén Waldhör, Anxietina #5 (2016).

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Union Pacific Gallery in London

 

Founded in 2014 by Nigel Dunkley and Grace Schofield, the East London gallery Union Pacific strives to discover emerging artists and push them into making their most ambitious projects a reality. There’s Alfred Boman and his teeming organic canvases, and Jan Kiefer whose experiments were one of the highlights at the Paris Internationale fair. Currently it’s the OIKOS installation by Ben Burgis and Ksenia Pedan that’s on show in the London space.

 

unionpacific.co.uk

View from the OIKOS installation at Union Pacific (2015).

View from the MO’TILE installation at Union Pacific (2016).

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Gregor Staiger Gallery in Zurich

 

The Zurich-based Gregory Staiger Gallery, open since 2012, was also present at the 2016 Paris Internationale with Nicholas Party’s installation inspired by Romanesque frescos.

 

www.galerie.gregorstaiger.com

Vue de l’installation de la galerie Gregor Staiger à la foire Paris Internationale en octobre 2016.

Courtesy Gregor Staiger.

Tomás Saraceno's spiders at the Palais de Tokyo
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Tomás Saraceno's spiders at the Palais de Tokyo

Art His Berlin atelier houses one of the most important collections of spider’s webs in the world – which is perhaps only normal given that Argentine artist Tomás Saraceno, born in 1973, has become famous for the spider’s webs that he exhibits in open metal cubes. Paris’s Palais de Tokyo is currently giving him carte blanche. His Berlin atelier houses one of the most important collections of spider’s webs in the world – which is perhaps only normal given that Argentine artist Tomás Saraceno, born in 1973, has become famous for the spider’s webs that he exhibits in open metal cubes. Paris’s Palais de Tokyo is currently giving him carte blanche.

Maurizio Cattelan gets into copy (in art) with Gucci
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Maurizio Cattelan gets into copy (in art) with Gucci

Art Ever more committed to supporting contemporary art, Gucci and its creative director Alessandro Michele have invited artist Maurizio Cattelan to curate a thought-provoking Shanghai show about copies. Ever more committed to supporting contemporary art, Gucci and its creative director Alessandro Michele have invited artist Maurizio Cattelan to curate a thought-provoking Shanghai show about copies.

FIAC 2018 : Katharina Grosse's bonfire of colour at the Grand Palais
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FIAC 2018 : Katharina Grosse's bonfire of colour at the Grand Palais

Art Katharina grosse transforms the world with her spray gun. Born in 1961, the german artist has splattered many a prestigious museum with her violent colours, as well as her own bedroom and even a house. She’s now been invited by the villa médicis in rome, home to the french academy, which she’s transformed into an explosive landscape made up of trunks of a pine tree planted over a century ago by ingres. Katharina grosse transforms the world with her spray gun. Born in 1961, the german artist has splattered many a prestigious museum with her violent colours, as well as her own bedroom and even a house. She’s now been invited by the villa médicis in rome, home to the french academy, which she’s transformed into an explosive landscape made up of trunks of a pine tree planted over a century ago by ingres.

Elmgreen & Dragset storm Place Vendôme: "Will humanity disappear to give way to nature?"
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Elmgreen & Dragset storm Place Vendôme: "Will humanity disappear to give way to nature?"

Art Star fish have invaded the place vendôme! Who is responsible? Why elmgreen & dragset of course! Numéro art met up with the explosive duo, who are guests of honour at paris’s art fair fiac this autumn. Star fish have invaded the place vendôme! Who is responsible? Why elmgreen & dragset of course! Numéro art met up with the explosive duo, who are guests of honour at paris’s art fair fiac this autumn.

Numéro art reveals new cover starring artists Elmgreen & Dragset
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Numéro art reveals new cover starring artists Elmgreen & Dragset

Art Discover Elmgreen & Dragset shot by Miles Aldridge for the cover of Numero art #3, out October 12th. Elmgreen & Dragset are taking over the place Vendôme during the FIAC and will be celebrated at Galerie Perrotin in Paris. Plus, do not miss their current show at Whitechapel Gallery in London.  Discover Elmgreen & Dragset shot by Miles Aldridge for the cover of Numero art #3, out October 12th. Elmgreen & Dragset are taking over the place Vendôme during the FIAC and will be celebrated at Galerie Perrotin in Paris. Plus, do not miss their current show at Whitechapel Gallery in London. 

Frieze London 2018 pays tribute to female artists with “Social Work”
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Frieze London 2018 pays tribute to female artists with “Social Work”

Art During Frieze London, from 3 october to 7, a group of ten female critics and curators pays tribute to women artists whose work during the 1980s created broader support structures for those around them under the title Social Work. Curators Lydia Yee, Fatoş Üstek and Melanie Keen discuss three of the artists featured in Social Work, and suggest why it is important to re-assess their legacy three decades later. During Frieze London, from 3 october to 7, a group of ten female critics and curators pays tribute to women artists whose work during the 1980s created broader support structures for those around them under the title Social Work. Curators Lydia Yee, Fatoş Üstek and Melanie Keen discuss three of the artists featured in Social Work, and suggest why it is important to re-assess their legacy three decades later.